The “clown-ification “of systemic oppression/repression presented by Tarantino creates a sense that these “foolish” people could be overthrown as easily as portrayed within Tarantino’s 120-minute(ish) films. So audience members walk-out of theaters feeling cleansed of anti-black racism, white supremacy, and anti-Semitism. They have their “what if” conversations, praising Tarantino on another “cinematic masterpiece” all the while digesting the liberatory vision of a white-male bent on exploiting communities that have experienced historical oppression. Rinse. Repeat. And all is right in the world.
Only all is clearly not right in the world.
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